{"id":2679,"date":"2023-11-01T11:21:05","date_gmt":"2023-11-01T15:21:05","guid":{"rendered":"https:\/\/climatetoolkit.org\/?p=2679"},"modified":"2025-06-18T16:12:36","modified_gmt":"2025-06-18T20:12:36","slug":"three-dying-trees-bring-together-a-community-in-detroit","status":"publish","type":"post","link":"https:\/\/climatetoolkit.org\/cs\/three-dying-trees-bring-together-a-community-in-detroit\/","title":{"rendered":"T\u0159i um\u00edraj\u00edc\u00ed stromy stmeluj\u00ed komunitu v Detroitu"},"content":{"rendered":"

Rozhovor s Muzeem afroamerick\u00e9 historie Charlese H. Wrighta.<\/h2>\n\n\n\n

V roce 2018 objevilo Muzeum afroamerick\u00e9 historie Charlese H. Wrighta ve sv\u00e9m are\u00e1lu v Detroitu ve st\u00e1t\u011b Michigan t\u0159i um\u00edraj\u00edc\u00ed stromy Zelkova. Tyto stromy byly ozna\u010deny k odstran\u011bn\u00ed a ur\u010deny k mul\u010dov\u00e1n\u00ed na kompost. V roce 2019 v\u0161ak muzeum v r\u00e1mci sv\u00e9ho posl\u00e1n\u00ed st\u00e1t se instituc\u00ed s nulov\u00fdm odpadem nav\u00e1zalo spolupr\u00e1ci s College for Creative Studies (CCS), aby m\u00edsto toho d\u0159evo sklidilo pro kreativn\u00ed vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f. Na po\u010d\u00e1tku vyvstala ot\u00e1zka, jak mohou dva soused\u00e9 - muzeum a vysok\u00e1 \u0161kola um\u011bn\u00ed a designu - vytvo\u0159it precedens pro kreativn\u00ed praxi sm\u011b\u0159uj\u00edc\u00ed k opat\u0159en\u00edm v oblasti klimatu a klimatick\u00e9 spravedlnosti v komunit\u011b? <\/em><\/p>\n\n\n\n

The Climate Toolkit m\u011bl mo\u017enost ud\u011blat rozhovor s tv\u016fr\u010d\u00edmi silami, kter\u00e9 stoj\u00ed za projektem <\/em>d<\/em><\/strong>.Tree Studio Projekt a v\u00fdstava<\/em><\/a>.<\/em><\/p>\n\n\n\n

SOUBOR N\u00c1STROJ\u016e PRO OCHRANU KLIMATU:<\/strong>
D\u011bkuji v\u00e1m za dne\u0161n\u00ed setk\u00e1n\u00ed. Ne\u017e za\u010dneme, m\u016f\u017eeme obej\u00edt kruh a rychle se p\u0159edstavit?<\/p>\n\n\n\n

LESLIE TOM:<\/strong>
Jist\u011b. Jsem Leslie Tom. Jsem \u0159editelkou pro udr\u017eitelnost v Muzeu afroamerick\u00e9 historie Charlese H. Wrighta. Pracuji zde ji\u017e osm let.<\/p>\n\n\n\n

ACKEEM SALMON:<\/strong>
Jmenuji se Ackeem Salmon. Jsem odborn\u00edk na v\u00fdzkum a design v odd\u011blen\u00ed udr\u017eitelnosti ve Wrightov\u011b muzeu. Jsem tak\u00e9 absolventem College for Creative Studies, tak\u017ee mohu hovo\u0159it o dualit\u011b obou m\u00edst.<\/p>\n\n\n\n

IAN LAMBERT:<\/strong>
Jsem Ian Lambert. Jsem d\u011bkanem pro postgradu\u00e1ln\u00ed studium a v\u00fdzkum na CCS. Pracuji zde asi \u010dty\u0159i roky. P\u0159edt\u00edm jsem p\u016fsobil ve Velk\u00e9 Brit\u00e1nii. Sv\u016fj \u017eivot jsem za\u010dal jako design\u00e9r a v\u00fdrobce n\u00e1bytku, ale rychle jsem se posunul o 30 let dop\u0159edu a nyn\u00ed se specializuji na udr\u017eitelnost a design a design pro opat\u0159en\u00ed v oblasti klimatu.<\/p>\n\n\n\n

SOUBOR N\u00c1STROJ\u016e PRO OCHRANU KLIMATU:<\/strong>
Vynikaj\u00edc\u00ed. R\u00e1d v\u00e1s v\u0161echny pozn\u00e1v\u00e1m. M\u016f\u017eeme za\u010d\u00edt obecn\u00fdm p\u0159ehledem iniciativ The Wright Museum v oblasti udr\u017eitelnosti a z\u00e1vazkem muzea k \"Zviditeln\u011bn\u00ed neviditeln\u00e9ho<\/a>\"?<\/p>\n\n\n\n

LESLIE TOM:<\/strong>
Ano, skv\u011bl\u00e1 ot\u00e1zka. Wrightovo muzeum se za\u010dalo zab\u00fdvat udr\u017eitelnost\u00ed v roce 2014, kdy je oslovila Wayne State University s nab\u00eddkou na vytvo\u0159en\u00ed P\u0159\u00edle\u017eitost ke stipendiu na revitalizaci Detroitu<\/a>. N\u00e1\u0161 gener\u00e1ln\u00ed \u0159editel se tehdy nechal inspirovat k tomu, aby p\u0159ijal pracovn\u00edka pro udr\u017eitelnost. Tak\u017ee stru\u010dn\u011b \u0159e\u010deno, tak jsem se sem dostal. P\u0159edpokl\u00e1d\u00e1m, \u017ee moje zku\u0161enost architekta a design\u00e9ra u\u017eivatelsk\u00e9ho z\u00e1\u017eitku UX n\u00e1s donutila pozastavit se nad t\u00edm, jak jsme definovali, jak vypad\u00e1 udr\u017eitelnost v muzeu. Kdy\u017e jsem sem nastoupil, za\u010dali jsme sni\u017eovat spot\u0159ebu - zavedli jsme v variabiln\u00ed pohony ventil\u00e1tor\u016f<\/a>, co\u017e nap\u0159\u00edklad umo\u017enilo, aby na\u0161e motory neb\u011b\u017eely 24 hodin denn\u011b, 7 dn\u00ed v t\u00fddnu, a sn\u00ed\u017eilo to na\u0161i spot\u0159ebu energie o $30 000 v prvn\u00edm roce. To v\u0161e v\u0161ak bylo velmi neviditeln\u00e9, proto\u017ee se to nach\u00e1z\u00ed za mechanick\u00fdmi syst\u00e9my a zdmi. Uv\u011bdomili jsme si, \u017ee jako muzeum m\u00e1me p\u0159\u00edle\u017eitost pomoci lidem zprost\u0159edkovat z\u00e1\u017eitky z na\u0161eho environment\u00e1ln\u00edho sv\u011bta.<\/strong><\/p>\n\n\n

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LESLIE TOM:<\/strong>
Sou\u010dasn\u011b jsem pracoval na instalaci zelen\u00e1 infrastruktura pro de\u0161\u0165ovou vodu<\/a> - obrovsk\u00fd projekt, kter\u00fd nyn\u00ed na na\u0161em pozemku zadr\u017euje 19 000 litr\u016f de\u0161\u0165ov\u00e9 vody. Spolupracoval jsem s hlasy komunity a poda\u0159ilo se n\u00e1m vybudovat 70metrovou Sankofu, co\u017e je symbol Adinkra p\u0159edstavuj\u00edc\u00ed pt\u00e1ka, kter\u00fd ukazuje, \u017ee se m\u016f\u017eeme ohl\u00e9dnout do historie, ne\u017e se pohneme kup\u0159edu. A pr\u00e1v\u011b tato zku\u0161enost zviditeln\u011bn\u00ed t\u011bchto infrastruktur pro ve\u0159ejnost byla opravdu uspokojuj\u00edc\u00ed a p\u0159\u00edle\u017eitost\u00ed. Spr\u00e1vn\u00ed rada a kur\u00e1to\u0159i na\u0161eho muzea nyn\u00ed p\u0159ijali p\u0159ijet\u00ed udr\u017eiteln\u00fdch syst\u00e9m\u016f jako jeden z hlavn\u00edch c\u00edl\u016f instituce. A d\u00edky t\u00e9to zku\u0161enosti jsou nyn\u00ed v\u0161echna na\u0161e odd\u011blen\u00ed schopna zam\u011b\u0159it se na neviditelnou udr\u017eitelnost na\u0161ich syst\u00e9m\u016f a u\u010dinit ji trochu viditeln\u011bj\u0161\u00ed.<\/p>\n\n\n\n

SOUBOR N\u00c1STROJ\u016e PRO OCHRANU KLIMATU:<\/strong>
Je to tak p\u016fsobiv\u00e9, kdy\u017e z\u00edsk\u00e1te podporu veden\u00ed na takov\u00e9 \u00farovni, \u017ee m\u016f\u017eete skute\u010dn\u011b p\u0159ijmout udr\u017eitelnost jako jeden z hlavn\u00edch princip\u016f va\u0161eho muzea. Pov\u011bzte mi tedy o d<\/strong>.Tree Studio Project a jak vznikl. <\/p>\n\n\n\n

IAN LAMBERT:<\/strong>
Wrightovo muzeum m\u011blo t\u0159i um\u00edraj\u00edc\u00ed Zelkova<\/em> stromy v jejich are\u00e1lu. Vzpomn\u011bl jsem si na projekt v botanick\u00e9 zahrad\u011b v Edinburghu, kde se Wych Elm<\/em> Strom byl pok\u00e1cen a p\u0159ed\u00e1n 25 um\u011blc\u016fm, aby z n\u011bj vytvo\u0159ili, co cht\u011bj\u00ed. A ti vytvo\u0159ili \u0159adu velmi p\u011bkn\u00fdch artefakt\u016f. Co bychom tedy mohli d\u011blat, kdy\u017e se muzeum setk\u00e1 s um\u011bleckou \u0161kolou, kter\u00e1 m\u00e1 tyto stromy? Byl to jin\u00fd p\u0159\u00edb\u011bh? A samoz\u0159ejm\u011b jsme cht\u011bli vyzdvihnout p\u0159\u00edb\u011bh udr\u017eitelnosti - ale mysl\u00edm, \u017ee kdy\u017e p\u016fjdeme mnohem hloub\u011bji, vzhledem k d\u016fle\u017eit\u00e9mu posl\u00e1n\u00ed Wrightova muzea jsme m\u011bli p\u0159\u00edle\u017eitost vytvo\u0159it artefakty, kter\u00e9 v sob\u011b m\u011bly zakotven\u00fd p\u0159\u00edb\u011bh o ot\u00e1zky soci\u00e1ln\u00ed spravedlnosti a spravedlnosti v oblasti klimatu<\/a>, kter\u00fd se zab\u00fdv\u00e1 zku\u0161enostmi Afroameri\u010dan\u016f v Detroitu.<\/p>\n\n\n

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SOUBOR N\u00c1STROJ\u016e PRO OCHRANU KLIMATU:<\/strong>
Jak vypadala spolupr\u00e1ce a tv\u016fr\u010d\u00ed proces mezi Wright Museum a College for Creative Studies?<\/p>\n\n\n\n

ACKEEM SALMON:<\/strong>
Spolupr\u00e1ce mezi Wrightov\u00fdm muzeem a Vysokou \u0161kolou kreativn\u00edch studi\u00ed m\u011bla hlubok\u00fd du\u00e1ln\u00ed charakter, kter\u00fd umo\u017enil v kontextu historie a minulosti a v\u0161ech aspekt\u016f v\u00fdzkumu vytvo\u0159it metafori\u010dt\u011bj\u0161\u00ed zp\u016fsob vyj\u00e1d\u0159en\u00ed: \"Co vid\u011bly stromy?\" Tak\u017ee schopnost kontextualizovat, dob\u0159e, stromy vid\u011bly v\u00fdvoj v\u0161ech t\u011bchto generac\u00ed lid\u00ed v pr\u016fb\u011bhu let od Kmeny Anishinaabe<\/a> na kontextualizaci s africkou hmotnou kulturou. A pak p\u0159i zp\u011btn\u00e9m pohledu na designov\u00e9 my\u0161len\u00ed a studenty. Projekt, na kter\u00e9m jsem se pod\u00edlel, m\u00e1 dv\u011b roviny. Prvn\u00ed slo\u017eka byla v roce 2021 - to byla brusi\u010dsk\u00e1 \u010d\u00e1st sestavov\u00e1n\u00ed kurzu. Druhou slo\u017ekou byla meditace, kter\u00e1 byla zd\u016frazn\u011bna v\u00fdrobou p\u011btiminutov\u00e9ho filmu. Meditace se stala kl\u00ed\u010dovou slo\u017ekou, kter\u00e1 protkala nit toho, co existuje jako designov\u00e9 my\u0161len\u00ed, ale tak\u00e9 z\u00e1m\u011brn\u00e1 tvorba. A v tomto smyslu jsem byl schopen spolupracovat s Wrightov\u00fdm muzeem - a konkr\u00e9tn\u011b s Leslie - a zajistit, aby v\u0161echny tyto z\u00e1m\u011brn\u00e9 aspekty, kter\u00e9 skute\u010dn\u011b ct\u00ed ot\u00e1zku \"Co vid\u011bly stromy?\", mohly koexistovat s tvorbou tohoto um\u011blecky re\u017e\u00edrovan\u00e9ho storyboardu v kontextu m\u011bsta Detroit. B\u00fdt up\u0159\u00edmn\u00fd i v tomto p\u0159\u00edb\u011bhu a pt\u00e1t se: Jak\u00e9 jsou p\u0159esn\u011b vrcholy \u017eivota ve m\u011bst\u011b a jak\u00e9 jsou jeho p\u00e1dy? A jak ct\u00edme budoucnost?<\/p>\n\n\n

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IAN LAMBERT:<\/strong>
Uv\u011bdomili jsme si, \u017ee pro \u00fasp\u011bch projektu je nutn\u00e9, d<\/strong>Strom nemohli tvo\u0159it jen studenti CCS. Abychom z\u00edskali autenti\u010dt\u011bj\u0161\u00ed zku\u0161enost s Detroitem, vytvo\u0159ili jsme sedm pln\u00fdch stipendi\u00ed pro detroitsk\u00e9 um\u011blce a tv\u016frce, kte\u0159\u00ed se mohou do t\u0159\u00eddy zapojit. Museli bu\u010f poch\u00e1zet z Detroitu, Hamtramcku nebo Highland Parku a \u017e\u00edt v oblasti minim\u00e1ln\u011b t\u0159i roky. A p\u0159\u00ednos t\u011bchto sedmi stipendist\u016f byl pro projekt neoceniteln\u00fd, proto\u017ee tvo\u0159ili protip\u00f3l student\u016fm CCS ve t\u0159\u00edd\u011b. Celkem dvan\u00e1ct student\u016f pracovalo jako jak\u00fdsi ateli\u00e9r - tv\u016fr\u010d\u00ed skupina, v n\u00ed\u017e ka\u017ed\u00fd realizuje sv\u00e9 vlastn\u00ed individu\u00e1ln\u00ed projekty, a p\u0159esto se vz\u00e1jemn\u011b \u017eiv\u00ed sv\u00fdmi n\u00e1pady a spolupracuj\u00ed na spole\u010dn\u00e9m c\u00edli. A vznikly tak tyto n\u00e1dhern\u00e9 objekty. V prvn\u00ed \u0159ad\u011b studenti experimentovali. Ve druh\u00e9m p\u0159\u00edpad\u011b formulovali my\u0161lenku. A ve t\u0159et\u00edm p\u0159\u00edpad\u011b \u0161lo o realizaci projektu.<\/p>\n\n\n\n

ACKEEM SALMON:<\/strong>
Opravdu kr\u00e1sn\u00e9 bylo, \u017ee finan\u010dn\u00ed prost\u0159edky, kter\u00e9 byly na projekt vynalo\u017eeny, byly rozd\u011bleny mezi ob\u011b instituce. Mohli jsme zam\u011bstnat studenty jako st\u00e1\u017eisty p\u0159\u00edmo z CCS. Byli najati i dal\u0161\u00ed um\u011blci z m\u011bsta a tak\u00e9 \u010dlenov\u00e9 Wrightova muzea, kte\u0159\u00ed se na tom pln\u011b pod\u00edleli. Byla to r\u016fznorod\u00e1 shov\u00edvavost znalost\u00ed a souvislost\u00ed. Od medita\u010dn\u00edho procesu a kontextualizace a\u017e po sou\u010dasnost, kdy m\u00e1me v\u00fdstavu; kdy jsme byli schopni rozd\u011blit financov\u00e1n\u00ed mezi instituce a najmout tyto um\u011blce na m\u00edst\u011b, najmout studenty, aby pracovali jako st\u00e1\u017eist\u00e9. Nyn\u00ed, kdy\u017e jsem form\u00e1ln\u011b sou\u010d\u00e1st\u00ed Wrightova muzea, jsem mohl z\u00e1m\u011brn\u011b vyu\u017e\u00edt ob\u011b sv\u00e9 zku\u0161enosti, abych usnadnil na\u0161im student\u016fm pot\u0159eby v oblasti jazyka designu. To je to, co pot\u0159ebujeme d\u00e1t do souvislost\u00ed, abychom se ujistili, \u017ee t\u011bchto p\u011bt let v\u00fdzkumu, v\u00fdvoje a zkoum\u00e1n\u00ed vytvo\u0159ilo cel\u00fd soudr\u017en\u00fd p\u0159\u00edb\u011bh v jedn\u00e9 m\u00edstnosti, co\u017e je d<\/strong>.Tree, kterou dnes m\u00e1me. A byly to v\u0161echny ruce, kter\u00e9 do toho vlo\u017eily, co\u017e je proces spolupr\u00e1ce, d\u00edky kter\u00e9mu se to poda\u0159ilo, nebo p\u0159\u00edle\u017eitost.<\/strong><\/p>\n\n\n

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IAN LAMBERT:<\/strong>
Projekt vyvrcholil v\u00fdstavou v galerii Center na College, kter\u00e1 se nach\u00e1z\u00ed v budov\u011b, kde d\u0159\u00edve s\u00eddlilo Wrightovo muzeum. Pot\u00e9 jsme uspo\u0159\u00e1dali n\u011bkolik setk\u00e1n\u00ed vedouc\u00edch p\u0159edstavitel\u016f koleje i muzea. To dalo podn\u011bt k druh\u00e9 v\u00fdstav\u011b, kter\u00e1 v sou\u010dasn\u00e9 dob\u011b prob\u00edh\u00e1 ve Wrightov\u011b muzeu a kter\u00e1 n\u00e1m podle m\u00e9ho n\u00e1zoru poskytla p\u0159\u00edle\u017eitost k mnohem hlub\u0161\u00edmu zamy\u0161len\u00ed nad t\u00edm, \u010deho jsme vlastn\u011b dos\u00e1hli. Tato druh\u00e1 v\u00fdstava m\u00e1 mnohem vy\u0161\u0161\u00ed \u00farove\u0148 produkce a mysl\u00edm, \u017ee hloubka interpretace a hloubka vypr\u00e1v\u011bn\u00ed na t\u00e9to v\u00fdstav\u011b je mnohem bohat\u0161\u00ed. D\u00edky tomu, \u017ee jsme m\u011bli mo\u017enost ohl\u00e9dnout se zp\u011bt a zapojit dal\u0161\u00ed lidi, mohli jsme tento p\u0159\u00edb\u011bh vypr\u00e1v\u011bt mnohem konkr\u00e9tn\u011bj\u0161\u00edm zp\u016fsobem. Leslie a j\u00e1 jsme ji\u017e napsal a publikoval v\u011bdeckou pr\u00e1ci<\/a> kterou jsme p\u0159edstavili na lo\u0148sk\u00e9 konferenci Cumulus. Z\u00edskali jsme tak\u00e9 mezin\u00e1rodn\u00ed ocen\u011bn\u00ed za design slu\u017eeb. \"Dopad na spole\u010dnost\" od Mezin\u00e1rodn\u00ed spole\u010dnosti profesion\u00e1l\u016f v oblasti inovac\u00ed slu\u017eeb<\/a> na co\u017e jsme velmi hrd\u00ed. Ur\u010dit\u011b nejsme prvn\u00ed skupina lid\u00ed, kter\u00e1 vzala pok\u00e1cen\u00fd strom a \u0159ekla: ud\u011blejme z n\u011bj narativn\u00ed objekty. Nejsem si v\u0161ak v\u011bdom \u017e\u00e1dn\u00e9ho p\u0159\u00edpadu, kdy by muzeum s velmi siln\u00fdm posl\u00e1n\u00edm v oblasti soci\u00e1ln\u00ed historie a soci\u00e1ln\u00ed spravedlnosti takto spolupracovalo s um\u011bleckou \u0161kolou.<\/p>\n\n\n\n

SOUBOR N\u00c1STROJ\u016e PRO OCHRANU KLIMATU:<\/strong>
Zm\u00ednil jste, \u017ee jednou z kl\u00ed\u010dov\u00fdch \u010d\u00e1st\u00ed tohoto projektu a v\u00fdstavy bylo vypr\u00e1v\u011bn\u00ed o Pravda<\/em> p\u0159\u00edb\u011bh Detroitu. Mohl byste pro na\u0161e \u0161ir\u0161\u00ed publikum trochu pohovo\u0159it o n\u011bkter\u00fdch nejpal\u010div\u011bj\u0161\u00edch klimatick\u00fdch probl\u00e9mech, kter\u00e9 nyn\u00ed detroitsk\u00e1 komunita \u0159e\u0161\u00ed?<\/p>\n\n\n\n

LESLIE TOM:<\/strong>
V okol\u00ed strom\u016f panuje tvrd\u00fd kontextov\u00fd vztah, proto\u017ee v okol\u00ed Detroitu se o stromy obvykle nepe\u010dovalo. Pro Wrightovo muzeum se zd\u00e1lo b\u00fdt ide\u00e1ln\u00ed p\u0159\u00edle\u017eitost\u00ed spolupracovat s n\u011bkter\u00fdmi lidmi, kte\u0159\u00ed na projektech t\u00fdkaj\u00edc\u00edch se strom\u016f v Detroitu skute\u010dn\u011b pracuj\u00ed. T\u00e9m\u011b\u0159 p\u0159esn\u011b p\u0159ed rokem podepsal starosta Detroitu Mike Duggan smlouvu o ochran\u011b strom\u016f, kter\u00e1 se t\u00fdkala zejm\u00e9na Partnerstv\u00ed Detroit Tree Equity s American Forests<\/a> vysadit 75 000 strom\u016f, vytvo\u0159it 300 nov\u00fdch pracovn\u00edch m\u00edst a zajistit $30 milion\u016f investic pro detroitsk\u00e9 \u010dtvrti. Spolupracujeme tak\u00e9 s Iniciativa Michigansk\u00e9 st\u00e1tn\u00ed univerzity zam\u011b\u0159en\u00e1 na ovocn\u00e9 stromy<\/a> roz\u0161\u00ed\u0159it m\u011bstsk\u00e9 ovocn\u00e9 sady ve m\u011bst\u011b. A Ekologizace Detroitu<\/a> propojit n\u00e1v\u0161t\u011bvn\u00edky s v\u00fdsadbou strom\u016f a programy rozvoje pracovn\u00edch sil. V samotn\u00e9m Detroitu je v\u00edce ne\u017e 1400 m\u011bstsk\u00fdch zahrad, co\u017e je v\u00edce ne\u017e v jak\u00e9mkoli jin\u00e9m m\u011bst\u011b. A pak naj\u00edt na\u0161e partnery, jako je Ian Lambert, kte\u0159\u00ed rozv\u00edjej\u00ed pr\u00e1ci s klimatem v r\u00e1mci College for Creative Studies a pracuj\u00ed na tom, aby tahali za nitky, jak propojit ot\u00e1zky klimatu s ve\u0159ejnost\u00ed. Tak\u017ee se zd\u00e1 b\u00fdt vzru\u0161uj\u00edc\u00ed m\u00edt tento vztah a partnerstv\u00ed jak fyzicky s na\u0161imi sousedy, tak v prostoru, kde sledujeme n\u011bkter\u00e9 z udr\u017eiteln\u00fdch projekt\u016f m\u011bsta Detroit. Ak\u010dn\u00ed program<\/a> iniciativy spole\u010dn\u011b.<\/p>\n\n\n\n

IAN LAMBERT:<\/strong>
Slova Aniky Gossov\u00e9 - gener\u00e1ln\u00ed \u0159editelky spole\u010dnosti Detroit Future City<\/a> - kdy\u017e promluvila na Konference Cumulus \"Design pro p\u0159izp\u016fsoben\u00ed<\/a><\/strong> v listopadu lo\u0148sk\u00e9ho roku: \"Vlivy klimatu nejv\u00edce \u0161kod\u00ed v nejchud\u0161\u00edch a nejhn\u011bd\u0161\u00edch \u010dtvrt\u00edch.\" Vyvol\u00e1v\u00e1 to pojem spravedlnosti strom\u016f. M\u016f\u017ee se to zd\u00e1t samoz\u0159ejm\u00e9, ale stromy v ur\u010dit\u00fdch oblastech vytv\u00e1\u0159ej\u00ed bohatstv\u00ed. Tak\u017ee kdy\u017e p\u016fjdete do bohat\u0161\u00edch oblast\u00ed v Detroitu, uvid\u00edte spoustu strom\u016f; a kdy\u017e p\u016fjdete do chud\u0161\u00edch oblast\u00ed, mo\u017en\u00e1 tak\u00e9 uvid\u00edte stromy, ale ty tak trochu pror\u016fstaj\u00ed opu\u0161t\u011bn\u00fdmi domy. Existuje souvislost mezi zdrav\u00fdmi korunami strom\u016f a zdrav\u00fdm \u017eivotn\u00edm stylem. Mysl\u00edm, \u017ee spojen\u00ed se stromy a rovnost\u00ed je velmi siln\u00e9. Stejn\u011b tak ale Detroit ro\u010dn\u011b pok\u00e1c\u00ed 10 000 a\u017e 20 000 strom\u016f. N\u011bkter\u00e9 z nich mohou b\u00fdt mal\u00e9 stromy, ale p\u0159esto jsou to stromy. V Detroitu nyn\u00ed prob\u00edh\u00e1 kampa\u0148 za op\u011btovnou v\u00fdsadbu strom\u016f, p\u0159i\u010dem\u017e se uzn\u00e1v\u00e1 souvislost mezi stromy a zdrav\u00edm m\u011bsta.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

SOUBOR N\u00c1STROJ\u016e PRO OCHRANU KLIMATU:<\/strong>
Zd\u00e1 se, \u017ee d<\/strong>Projekt .Tree se dot\u00fdk\u00e1 n\u011bkolika aspekt\u016f udr\u017eitelnosti klimatu, v\u010detn\u011b soci\u00e1ln\u00ed spravedlnosti, odklonu odpad\u016f, rovnosti v m\u011bstsk\u00fdch komunit\u00e1ch a kontextualizace vypr\u00e1v\u011bn\u00ed o zm\u011bn\u011b klimatu. Tato ot\u00e1zka se tedy skl\u00e1d\u00e1 ze dvou \u010d\u00e1st\u00ed: Jak mohou um\u011bn\u00ed a muzejn\u00ed prostory hr\u00e1t \u00fast\u0159edn\u00ed roli p\u0159i p\u0159etv\u00e1\u0159en\u00ed sd\u011blen\u00ed o klimatu v souvislosti s t\u011bmito t\u00e9maty? A jak\u00e9 druhy pozitivn\u00edch opat\u0159en\u00ed v oblasti klimatu, jak douf\u00e1te, budou inspirov\u00e1ny interakc\u00ed s muzeem? d<\/strong>.Tree exhibit?<\/p>\n\n\n\n

IAM LAMBERT:<\/strong>
Muzea byla historicky pil\u00ed\u0159em komunitn\u00edho vypr\u00e1v\u011bn\u00ed, nazna\u010dovala zp\u016fsoby byt\u00ed nebo my\u0161len\u00ed. Tak\u017ee zejm\u00e9na v souvislosti s opat\u0159en\u00edmi v oblasti klimatu a rol\u00ed, kterou muzeum hraje, stav\u00ed tyto ot\u00e1zky do sv\u00e9ho programov\u00e9ho pop\u0159ed\u00ed, kde je komunita uvedena do v\u00fdznamu opat\u0159en\u00ed v oblasti klimatu. Nap\u0159\u00edklad realizace takov\u00fdchto v\u00fdstav a spolupr\u00e1ce v tak velk\u00e9m m\u011b\u0159\u00edtku v r\u00e1mci t\u011bchto dvou v\u00fdznamn\u00fdch instituc\u00ed - to za\u010d\u00edn\u00e1 poh\u00e1n\u011bt konverzaci o tom, co komunita d\u011bl\u00e1, aby podnikla kroky. Jako um\u011blci m\u016f\u017eeme tyto abstraktn\u011bj\u0161\u00ed koncepty vyu\u017e\u00edt. Kdy\u017e si polo\u017e\u00edme ot\u00e1zku: \"Co vid\u011bl strom?\", je to poetick\u00e9, ale z\u00e1rove\u0148 nezbytn\u00e9, proto\u017ee to je lidsk\u00fd aspekt kontextu a klimatick\u00fdch opat\u0159en\u00ed. Jak se na to m\u016f\u017eeme d\u00edvat v\u00edce jako na lidskou z\u00e1le\u017eitost oproti pouh\u00e9mu smyslu pro data a systematick\u00e9mu my\u0161len\u00ed, kter\u00e9 se neposouv\u00e1 kup\u0159edu se skute\u010dn\u00fdmi lidsk\u00fdmi \u010diny?<\/p>\n\n\n\n

LESLIE TOM:<\/strong>
Na\u0161e spr\u00e1vn\u00ed rada v\u0161em na\u0159\u00eddila, aby se zamysleli nad t\u00edm, \u017ee Detroit bude l\u00eddrem v oblasti muzejnictv\u00ed a \u017ee mezi na\u0161e strategick\u00e9 c\u00edle bude pat\u0159it p\u0159ijet\u00ed udr\u017eiteln\u00fdch syst\u00e9m\u016f. Ka\u017ed\u00fd z \u0159editel\u016f a j\u00e1 jako osoba dohl\u00ed\u017eej\u00edc\u00ed na udr\u017eitelnost jsme se sna\u017eili p\u0159ij\u00edt na to, jak toho dos\u00e1hnout. A tak jsme vyvinuli r\u00e1mec, v n\u011bm\u017e jsme roz\u0161\u00ed\u0159ili troj\u00ed v\u00fdsledek hospoda\u0159en\u00ed tak, aby byl lid\u00e9, planeta, prosperita a programy<\/a> - proto\u017ee to je to, co muzea d\u011blaj\u00ed dob\u0159e: u\u010den\u00ed a zapojen\u00ed, b\u00fdt t\u0159et\u00edm ve\u0159ejn\u00fdm prostorem. Mysl\u00edm, \u017ee tento p\u011btilet\u00fd d<\/strong>.Projekt Tree se skute\u010dn\u011b zam\u011b\u0159il na to, jak p\u0159em\u00fd\u0161let o zapojen\u00ed r\u016fzn\u00fdch lid\u00ed a hlas\u016f do cel\u00e9ho procesu. Tak\u017ee jen p\u00e1r z\u00e1bavn\u00fdch \u00fadaj\u016f - zaplatili jsme v\u00edce ne\u017e 40 um\u011blc\u016f v r\u00e1mci toho, co zmi\u0148oval Ackeem s medita\u010dn\u00edm videem; pravd\u011bpodobn\u011b jsme p\u0159ivedli v\u00edce ne\u017e 80 r\u016fzn\u00fdch hlas\u016f, abychom vytvo\u0159ili poslechov\u00e1 sezen\u00ed a ujistili se, \u017ee vytv\u00e1\u0159\u00edme pravdiv\u00e1 poselstv\u00ed, kter\u00e1 zn\u011bj\u00ed spr\u00e1vn\u011b a c\u00edt\u00ed se spr\u00e1vn\u011b pro obyvatele Detroitu. Zejm\u00e9na pro klima, proto\u017ee jsme se cht\u011bli ujistit, \u017ee spr\u00e1vn\u011b sd\u011blujeme ob\u011bhov\u00e9 hospod\u00e1\u0159stv\u00ed a r\u016fzn\u00e9 aspekty toho, co tento projekt zahrnuje. Tak\u017ee ano, mo\u017enost pracovat v muzejn\u00edm prostoru a s touto skupinou spolupracovn\u00edk\u016f opravdu pomohla udr\u017eet pravdivost mnoha z t\u011bchto prac\u00ed.<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

IAN LAMBERT:<\/strong>
Muzea jsou instituce, kter\u00e9 vypr\u00e1v\u011bj\u00ed p\u0159\u00edb\u011bhy, a Wrightovo muzeum je neuv\u011b\u0159iteln\u011b siln\u00fdm m\u00edstem pro vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f a pro pono\u0159en\u00ed se do vypr\u00e1v\u011bn\u00ed. P\u0159esto se domn\u00edv\u00e1m, \u017ee je obt\u00ed\u017en\u00e9 um\u00edstit um\u011bn\u00ed nebo um\u011bleck\u00fd design do klimatick\u00e9 krize. Vedl jsem \u0159adu rozhovor\u016f s v\u011bdci - a v\u011bda samoz\u0159ejm\u011b hraje v klimatick\u00e9 krizi nesm\u00edrn\u011b d\u016fle\u017eitou roli, proto\u017ee n\u00e1m pom\u00e1h\u00e1 pochopit, co se d\u011bje. D\u00e1v\u00e1 n\u00e1m p\u0159ehled o faktech a umo\u017e\u0148uje n\u00e1m v\u011bd\u011bt, jak na n\u011b reagovat. Mnoho reakc\u00ed na klimatickou krizi bude samoz\u0159ejm\u011b v\u011bdeck\u00fdch a technologick\u00fdch, ale klimatick\u00e1 krize je tak\u00e9 kriz\u00ed kulturn\u00ed, politickou a ekonomickou. Mysl\u00edm, \u017ee \u00falohou um\u011bn\u00ed a designu je utv\u00e1\u0159et kulturu - utv\u00e1\u0159et n\u00e1\u0161 materi\u00e1ln\u00ed sv\u011bt, utv\u00e1\u0159et na\u0161i vizu\u00e1ln\u00ed kulturu, utv\u00e1\u0159et na\u0161i kulturu vypr\u00e1v\u011bn\u00ed. A n\u011bkdy jsem vedl frustruj\u00edc\u00ed rozhovory s klimatology, kdy\u017e jsem \u0159\u00edkal, aha, m\u011bli bychom spolupracovat. A oni \u0159\u00edkaj\u00ed, no, nenapad\u00e1 m\u011b, co byste pro n\u00e1s mohli navrhnout. To je omezen\u00e9 ch\u00e1p\u00e1n\u00ed rozsahu toho, co design\u00e9r nebo um\u011blec d\u011bl\u00e1. Ale j\u00e1 se jim sna\u017e\u00edm \u0159\u00edct. \u017ee tv\u016frci a design\u00e9\u0159i maj\u00ed jin\u00fd zp\u016fsob vid\u011bn\u00ed probl\u00e9m\u016f a jin\u00fd zp\u016fsob reakce na probl\u00e9my, kter\u00fd by mohl p\u0159in\u00e9st posun k ur\u010dit\u00e9mu \u0159e\u0161en\u00ed.<\/strong>. M\u016f\u017eeme se pokusit zm\u011bnit i my\u0161lenky a politiku, p\u0159im\u011bt lidi, aby zm\u011bnili sv\u016fj politick\u00fd p\u0159\u00edstup. Je to nesm\u00edrn\u011b slo\u017eit\u00e9. Neexistuje jedin\u00e9 \u0159e\u0161en\u00ed zm\u011bny klimatu. Nejde jen o to \u0159\u00edci, \u017ee p\u0159estaneme pou\u017e\u00edvat ropu nebo \u017ee p\u0159estaneme spalovat uhl\u00ed. Tyto v\u011bci jsou d\u016fle\u017eit\u00e9, ale to nen\u00ed skute\u010dn\u00e9 j\u00e1dro probl\u00e9mu. V\u0161echno je to hluboce, hluboce propojen\u00e9.<\/p>\n\n\n\n

SOUBOR N\u00c1STROJ\u016e PRO OCHRANU KLIMATU:<\/strong>
D\u011bkuji v\u00e1m v\u0161em za sd\u00edlen\u00ed. M\u00e1te p\u0159edstavu o reakci detroitsk\u00e9 komunity na tuto ud\u00e1lost? d<\/strong>.Tree Studio projekt? Zaznamenali jste n\u011bjak\u00e9 \u00fasp\u011bchy, probl\u00e9my p\u0159i interakci s expon\u00e1tem nebo n\u011bjakou zp\u011btnou vazbu t\u00fdkaj\u00edc\u00ed se t\u00e9to \u00fa\u017easn\u00e9 pr\u00e1ce, kterou d\u011bl\u00e1te?<\/p>\n\n\n\n

LESLIE TOM:<\/strong>
Bylo zde mnoho vedlej\u0161\u00edch p\u0159\u00ednos\u016f, kter\u00e9 jsme mo\u017en\u00e1 ani nep\u0159edpokl\u00e1dali. Nap\u0159\u00edklad jedna z dobrovolnic muzea, Etta Adamsov\u00e1, se stala na\u0161\u00edm hlasem detroitsk\u00fdch strom\u016f, kter\u00e9 v\u0161ichni zmi\u0148uj\u00ed z videa Ackeem. P\u0159izvali jsme ji tak\u00e9 jako hlas pro na\u0161i panelovou diskusi na Sympoziu o stromech, kter\u00e9 se konalo se studenty v z\u00e1\u0159\u00ed b\u011bhem jejich kurz\u016f. \u010c\u00e1ste\u010dn\u011b jsme p\u0159em\u00fd\u0161leli o tom, \u017ee na tuto t\u0159\u00eddu, na tyto studenty, vynakl\u00e1d\u00e1me pom\u011brn\u011b dost pen\u011bz, ale co by se stalo, kdybychom Stromov\u00e9 sympozium otev\u0159eli v\u00edce lidem? To bylo tak\u00e9 b\u011bhem Covidu. Ud\u011blali jsme tedy virtu\u00e1ln\u00ed stromov\u00e9 sympozium s Design Core CCS v r\u00e1mci programu Cidid. M\u011bs\u00edc designu v Detroitu<\/a> - a p\u0159i\u0161lo na ni p\u0159es 900 lid\u00ed. Mohli jsme nechat \u00fa\u010dastn\u00edky diskuse rozd\u011blit do m\u00edstnost\u00ed a hovo\u0159it o jejich zku\u0161enostech se stromy a Detroitem. A pro studenty to byly neoceniteln\u00e9 informace, ze kter\u00fdch si odnesli hlubok\u00fd smysl pro historii. Ackeem vytvo\u0159il pro v\u00fdstavu slogan, kter\u00fd vystihuje cel\u00fd z\u00e1\u017eitek: \"V r\u00e1mci t\u00e9to pr\u00e1ce respektujeme moudrost lid\u00ed, m\u00edsta a historie\".<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

LESLIE TOM:<\/strong>
V pr\u016fb\u011bhu navrhov\u00e1n\u00ed v\u00fdstavy CCS se stal je\u0161t\u011b jeden p\u0159\u00edb\u011bh, kter\u00fd se t\u00fdkal Etty Adamsov\u00e9. D\u00edky zapojen\u00ed do medita\u010dn\u00edho videa a Treeposia za\u010dala Etta v\u00e9st rozhovory se sv\u00fdmi sousedy - bydl\u00ed v komplexu dom\u016f pro seniory - a \u0159ekla jim, aby p\u0159i\u0161li na Treeposium, pod\u00edvali se na video a za\u010dali v\u00e9st dal\u0161\u00ed a dal\u0161\u00ed rozhovory o stromech. V\u00fdsledkem bylo, \u017ee jej\u00ed bytov\u00fd komplex za\u010dal s\u00e1zet v\u00edce strom\u016f a najal novou zahradnickou firmu, kter\u00e1 se o stromy star\u00e1. Ian se b\u011bhem v\u00fdstavy CCS postavil a \u0159ekl: Chceme v\u00e1s a va\u0161e sousedy p\u0159iv\u00e9st na tuto v\u00fdstavu. A tak byla zkoordinov\u00e1na kyvadlov\u00e1 doprava CCS, kter\u00e1 vyzvedla Ettu a jej\u00ed sousedy, aby se p\u0159i\u0161li pod\u00edvat na v\u00fdstavu. d<\/strong>.Tree Project a za\u017e\u00edt z\u00e1\u017eitek ve Wrightov\u011b muzeu. A byl to dal\u0161\u00ed okam\u017eik, kdy jsem si \u0159\u00edkal: \"P\u00e1ni, pod\u00edvejte se, co ty t\u0159i stromy dok\u00e1zaly. Ian pro projekt vymyslel slogan, kter\u00fd zn\u00ed: \"Dv\u011b instituce, t\u0159i stromy a dvan\u00e1ct tv\u016frc\u016f\" - prost\u011b vytvo\u0159en\u00ed cel\u00e9 palety z\u00e1\u017eitk\u016f a c\u00edlen\u00fd posun kultury kolem strom\u016f a roz\u0161\u00ed\u0159en\u00ed pov\u011bdom\u00ed o klimatick\u00fdch p\u0159\u00ednosech strom\u016f. Krom\u011b toho je viz\u00ed na\u0161eho odd\u011blen\u00ed Learning and Engagement ve Wrightov\u011b muzeu obohatit v\u0161echny v\u00fdstavy o interpreta\u010dn\u00ed programy. S pot\u011b\u0161en\u00edm mohu ozn\u00e1mit, \u017ee d<\/strong>.Tree Exhibition inspirovala workshop genealogie rodokmenu s Tony Burroughsem, renomovan\u00fdm genealogem a autorem knihy \u010cern\u00e9 ko\u0159eny: Ko\u0159eny: Pr\u016fvodce za\u010d\u00e1te\u010dn\u00edka po afroamerick\u00e9m rodokmenu<\/a>. Workshop, d<\/strong>.Tree Genealogy: How to Grow and Sustain Your Family, kterou vedla Marline Martin, \u0159editelka pro vzd\u011bl\u00e1v\u00e1n\u00ed a zapojen\u00ed, se z\u00fa\u010dastnilo v\u00edce ne\u017e 100 lid\u00ed. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

ACKEEM SALMON:<\/strong>
To, co v\u0161ichni \u0159\u00edkaj\u00ed, je v \u0161ir\u0161\u00edm kontextu velmi pravdiv\u00e9. Mohu mluvit konkr\u00e9tn\u011b o um\u011blc\u00edch, kte\u0159\u00ed se na tom pod\u00edleli, zejm\u00e9na o tom, \u017ee jsem mohl zam\u011bstnat v\u0161echny ty r\u016fzn\u00e9 st\u00e1\u017eisty z CCS, se kter\u00fdmi jsem m\u011bl tu \u010dest pracovat - byl to prost\u011b jin\u00fd kontext pr\u00e1ce a veden\u00ed, proto\u017ee ka\u017ed\u00fd z t\u011bchto student\u016f z\u00edskal tak\u00e9 skute\u010dn\u00e9 vedouc\u00ed pozice. Ka\u017ed\u00fd z nich p\u0159isp\u011bl sv\u00fdm vlastn\u00edm pr\u00e1vem. Tak\u017ee i kdy\u017e jsem byl studuj\u00edc\u00ed um\u011bleck\u00fd \u0159editel, mnoho rozhodnut\u00ed museli \u0159e\u0161it studenti a lid\u00e9, kte\u0159\u00ed se na nich pod\u00edleli. Nap\u0159\u00edklad jsme najali studentku motion grafiky z CCS, Sam Pickettovou, v podstat\u011b jsme s n\u00ed museli proj\u00edt v\u00fdtvarn\u00e9 sm\u011b\u0159ov\u00e1n\u00ed a strategii a pak j\u00ed p\u0159edat citlivost projektu. Za\u010dala rozeb\u00edrat, jak bude interpretovat cel\u00fd tento aspekt meditace, filmov\u00e9 hudby a v\u0161ech v\u011bc\u00ed, kter\u00e9 jsme ud\u011blali, do t\u011bchto aktivn\u00edch text\u016f, kter\u00e9 budou vyu\u017eity. A tot\u00e9\u017e pak plat\u00ed i pro filmov\u00e9 osoby, kter\u00e9 jsme p\u0159ibrali na palubu. M\u011bli jsme pocit, \u017ee ka\u017ed\u00fd z t\u011bchto um\u011blc\u016f dostal nez\u00e1vislou p\u0159\u00edle\u017eitost uk\u00e1zat se, ani\u017e by m\u011bl pocit, \u017ee je chycen v n\u011bjak\u00e9 \u0161katulce. Prost\u011b jim to dalo tu mo\u017enost promluvit. A to dalo podn\u011bt ke kolektivn\u00ed akci. Tak\u017ee krom\u011b v\u00fdstavy a spole\u010densk\u00e9ho aspektu komunity byly p\u0159\u00edle\u017eitosti k veden\u00ed, kter\u00e9 dostaly mlad\u0161\u00ed hlasy, prost\u011b v\u00fdjime\u010dn\u00e9. A m\u011bl jsem pocit, \u017ee ka\u017ed\u00fd um\u011blec a mlad\u00fd \u00fa\u010dastn\u00edk v\u00fdstavy m\u011bl sv\u00e9 sv\u011btlo, kter\u00fdm mohl zaz\u00e1\u0159it. A mysl\u00edm, \u017ee to byla tak\u00e9 opravdu kr\u00e1sn\u00e1 sou\u010d\u00e1st a v\u00fdsledek cel\u00e9ho procesu.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

SOUBOR N\u00c1STROJ\u016e PRO OCHRANU KLIMATU:<\/strong>
L\u00edb\u00ed se mi, jak jsi cel\u00fd projekt zar\u00e1movala, t\u0159i um\u00edraj\u00edc\u00ed stromy prost\u011b spojily celou komunitu. Mysl\u00edm, \u017ee je to opravdu kr\u00e1sn\u00fd p\u0159\u00edb\u011bh. Moje posledn\u00ed ot\u00e1zka dne\u0161n\u00edho rozhovoru, kter\u00e1 m\u016f\u017ee b\u00fdt ur\u010dena komukoli ze skupiny, zn\u00ed: M\u00e1te n\u011bjakou radu nebo poznatek pro ostatn\u00ed muzea nebo kulturn\u00ed instituce, kter\u00e9 doufaj\u00ed, \u017ee vytvo\u0159\u00ed v\u00fdstavy inspirovan\u00e9 klimatem nebo budou pracovat s komunitou?<\/p>\n\n\n\n

IAN LAMBERT:<\/strong>
M\u011bli by najmout Leslieho.<\/p>\n\n\n\n

LESLIE TOM:<\/strong>
(sm\u00edch) No, cht\u011bl bych p\u0159ipojit jednu my\u0161lenku. Zm\u011b\u0159ili jsme uhl\u00edkovou stopu cel\u00e9 v\u00fdstavy pro Wrightovo muzeum. Spolupracovali jsme s Indigo JLD Green + Health<\/a> a Cambridge Seven<\/a> aby n\u00e1m pomohl prov\u00e9st anal\u00fdzu. Bylo neuv\u011b\u0159iteln\u00e9 otev\u0159\u00edt tento proces, kdy n\u00e1\u0161 kur\u00e1torsk\u00fd t\u00fdm a t\u00fdm designu a v\u00fdroby v podstat\u011b pos\u00edlal e-mailem v\u0161echny p\u0159edm\u011bty, kter\u00e9 jsme koupili nebo p\u0159idali do t\u00e9to v\u00fdstavy, a my jsme ke v\u0161emu dostali \u010d\u00edslo uhl\u00edku. Nakonec to bylo zhruba 1,8 tuny uhl\u00edku, kter\u00e9 jsme spot\u0159ebovali na v\u00fdstavu. d<\/strong>.Tree exhibit. V\u00edm, \u017ee Guggenheimova galerie provedla podobnou studii - a to v\u0161echno poch\u00e1z\u00ed z projektu Galerie Pr\u016fvodce klimatickou kalkula\u010dkou.<\/a> V Guggenheimov\u011b muzeu se jednalo o 10 tun uhl\u00edku na m\u00edstn\u00ed v\u00fdstavu. A pak tu byla je\u0161t\u011b jedna lond\u00fdnsk\u00e1 galerie, kter\u00e1 vyprodukovala 100 tun uhl\u00edku, proto\u017ee n\u011bkter\u00e1 d\u00edla l\u00e9tala a doj\u00ed\u017ed\u011bla letadlem. Jako kolektiv jsme prost\u011b za\u010dali p\u0159em\u00fd\u0161let o tom, jak sn\u00ed\u017eit na\u0161i uhl\u00edkovou stopu. N\u00e1\u0161 \u0159editel v\u00fdroby nap\u0159\u00edklad navrhoval tisknout doma, abychom nemuseli pou\u017e\u00edvat auto na p\u0159ev\u00e1\u017een\u00ed v\u00fdtisk\u016f. Pou\u017e\u00edvat m\u00e9n\u011b toxick\u00fdch materi\u00e1l\u016f. Ru\u010dn\u00ed malov\u00e1n\u00ed v\u00fdstavn\u00edch st\u011bn. A tak se to opravdu op\u00edr\u00e1 o n\u00e1s v\u0161echny<\/em>, s t\u00edmto spole\u010dn\u00fdm z\u00e1kladem, \u017ee chceme sn\u00ed\u017eit na\u0161i uhl\u00edkovou stopu, \u017ee chceme odklonit odpad ze skl\u00e1dek, \u017ee se v\u0161ichni za\u010d\u00edn\u00e1me d\u00edvat na v\u011bci jinak a skute\u010dn\u011b odhalujeme skute\u010dnost, \u017ee se jedn\u00e1 o kulturn\u00ed zm\u011bnu. Muzea a \u0161koly um\u011bn\u00ed a designu maj\u00ed p\u0159\u00edle\u017eitost pomoci tuto kulturu zm\u011bnit. <\/strong>A mysl\u00edm, \u017ee to d<\/strong>Projekt .Tree je velmi dobr\u00fdm p\u0159\u00edkladem toho, jak jsme se v r\u00e1mci syst\u00e9mu znovu zam\u011b\u0159ili na ka\u017ed\u00fd kontaktn\u00ed bod. A spolupr\u00e1ce s um\u011blci, design\u00e9ry na zadn\u00ed stran\u011b, kreativci, humanitn\u011b zam\u011b\u0159en\u00fdmi lidmi v r\u00e1mci tohoto muzejn\u00edho kontextu - chceme b\u00fdt schopni sd\u00edlet tuto pr\u00e1ci s \u0161ir\u0161\u00ed komunitou.<\/p>\n\n\n\n

IAN LAMBERT:<\/strong>
Dal\u0161\u00ed v\u011bc, kterou je t\u0159eba zd\u016fraznit, je, \u017ee projekt nen\u00ed u konce. Aktivn\u011b p\u0159em\u00fd\u0161l\u00edme o tom, co d\u00e1l. Jednou z v\u011bc\u00ed, kter\u00e1 je rozhoduj\u00edc\u00ed, je, \u017ee pot\u0159ebujeme finan\u010dn\u00ed prost\u0159edky, abychom mohli pokra\u010dovat. Na tento projekt jsme vynalo\u017eili pom\u011brn\u011b hodn\u011b pen\u011bz, i kdy\u017e to rozhodn\u011b st\u00e1lo za to. Z\u00edskali jsme malou \u010d\u00e1stku od Michigansk\u00e9 rady pro um\u011bn\u00ed a kulturu. Nyn\u00ed mus\u00edme p\u0159em\u00fd\u0161let o tom, \u017ee budeme usilovat o v\u00fdznamn\u00e9 finan\u010dn\u00ed prost\u0159edky. Existuj\u00ed grantov\u00e9 pen\u00edze, o kter\u00e9 se m\u016f\u017eeme uch\u00e1zet, a mysl\u00edm, \u017ee m\u00e1me tak siln\u00fd z\u00e1klad, na kter\u00e9m m\u016f\u017eeme pokra\u010dovat. Mo\u017en\u00e1 n\u00e1m pom\u016f\u017ee, kdy\u017e d\u00e1te lidem v\u011bd\u011bt, \u017ee nyn\u00ed hled\u00e1me mo\u017enosti a uva\u017eujeme o druh\u00e9 f\u00e1zi a o tom, jak to vypad\u00e1.<\/p>\n\n\n\n

SOUBOR N\u00c1STROJ\u016e PRO OCHRANU KLIMATU:<\/strong>
V\u00e1\u017e\u00edm si va\u0161eho \u010dasu a energie, kterou jste v\u011bnovali sd\u00edlen\u00ed tohoto kr\u00e1sn\u00e9ho p\u0159\u00edb\u011bhu, a jsem velmi r\u00e1d, \u017ee se o tento \u010dl\u00e1nek mohu pod\u011blit s na\u0161\u00ed komunitou Climate Toolkit.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Rozhovor s Muzeem afroamerick\u00e9 historie Charlese H. Wrighta. V roce 2018 objevilo Muzeum afroamerick\u00e9 historie Charlese H. Wrighta ve sv\u00e9m are\u00e1lu v Detroitu ve st\u00e1t\u011b Michigan t\u0159i um\u00edraj\u00edc\u00ed stromy Zelkova. Tyto stromy byly ozna\u010deny k odstran\u011bn\u00ed ...<\/p>\n

T\u0159i um\u00edraj\u00edc\u00ed stromy stmeluj\u00ed komunitu v Detroitu<\/span> P\u0159e\u010dt\u011bte si v\u00edce \"<\/a><\/p>","protected":false},"author":2,"featured_media":2691,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[179],"tags":[],"class_list":["post-2679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-engagement"],"acf":[],"yoast_head":"\nThree Dying Trees Bring Together a Community in Detroit - The Climate Toolkit<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"cs_CZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Three Dying Trees Bring Together a Community in Detroit - The Climate Toolkit\" \/>\n<meta property=\"og:description\" content=\"An Interview with The Charles H. 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